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    Christopher Nolan’s Favorite Hitchcock Movie Is The Must-Watch Thriller Classic You Probably Forgot About

    Team_The Industry Highlighter MagazineBy Team_The Industry Highlighter MagazineJuly 26, 2025No Comments6 Mins Read
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    The favourite Alfred Hitchcock film of filmmaker Christopher Nolan wouldn’t be most individuals’s selection however Foreign Correspondent is a forgotten masterpiece of the spy style. Nolan has extra authority than most in judging traditional works of movie, and appears to have a choice for one among Hitchcock’s earlier motion pictures.

    The legendary director’s second Hollywood manufacturing was made simply earlier than the delivery of noir cinema, and simply after the outbreak of the Second World Warfare. International Correspondent is commonly neglected as we speak in favor of the best Hitchcock movies that got here earlier than and after it, akin to Rebecca and Shadow of a Doubt.

    However, the film has obviously inspired Christopher Nolan, who has referenced it straight in relation to one among his personal cinematic masterpieces. In truth, Nolan is so taken with International Correspondent that he selected it for a collection of screenings to the British public again in 2017.

    Christopher Nolan’s Favourite Hitchcock Film Is International Correspondent

    The Director Named This Movie In A Sequence He Curated For The BFI

    Alfred Hitchcock has had a far higher affect on Christopher Nolan’s filmmaking than most individuals understand. Nolan’s 1998 feature-length directorial debut was essentially a homage to Hitchcock movies, which have impressed numerous different thematic and formal parts within the Darkish Knight director’s work.

    The one Hitchcock movie that Nolan counts amongst his favourite motion pictures, nonetheless, is the 1940 espionage thriller International Correspondent (through IndieWire). To rejoice the discharge of his conflict film Dunkirk in 2017, Nolan was requested to curate a collection of screenings on the British Movie Institute (BFI) primarily based on his affect. International Correspondent was among the many 11 he selected.

    Motion pictures Christopher Nolan Curated for his 2017 BFI Sequence

    Film Title

    Director

    Greed (1924)

    Erich von Stroheim

    Dawn: A Track of Two People (1927)

    F.W. Murnau

    All Quiet on the Western Entrance (1930)

    Lewis Milestone

    International Correspondent (1940)

    Alfred Hitchcock

    The Wages of Concern (1953)

    Henri-Georges Clouzot

    The Battle of Algiers (1966)

    Gillo Pontecorvo

    Ryan’s Daughter (1970)

    David Lean

    Alien (1979)

    Ridley Scott

    Chariots of Hearth (1981)

    Hugh Hudson

    Pace (1994)

    Jan de Bont

    Unstoppable (2010)

    Tony Scott

    He went on to eulogize the “technical virtuosity” of this Hitchcock film in his written introduction to the screening collection (through The Film Stage). Certainly, Nolan had a degree in drawing our consideration in the direction of International Correspondent. The movie’s daring experimentation prefigured a few of trendy cinema’s best advances.

    International Correspondent Is A Forgotten Basic Of The Spy Style

    In Each Thematic & Stylistic Phrases, It Factors In direction of Hitchcock’s Later Work

    If it weren’t so generally neglected as we speak, International Correspondent can be celebrated as one of many best spy movies of its day, if not of all time. The film combines a traditional Hitchcockian story of subterfuge and misdirection with visible points of the movie noir style which might start to proliferate in American cinema instantly after its launch.

    When it comes to each theme and magnificence, International Correspondent bridges the hole between Hitchcock’s two best movies of the Nineteen Thirties and Forties, The 39 Steps and Infamous. It borrows its Clause 27 scene from the climactic last sequence of The 39 Steps, whereas lending Infamous its use of sinister and enigmatic pro-Nazi villains.

    For Hitchcock students and disciples, the film is price learning for its Freudian perspective on the feminine love curiosity of its titular hero, in addition to its spectacular visible set-pieces. It was a industrial failure for Hitchcock on the time of its launch, largely as a result of these set-pieces price a lot to shoot.

    International Correspondent was Hitchcock’s most costly film to make till Lifeboat in 1944, with Rebecca, Mr. & Mrs. Smith, Suspicion, Saboteur, and Shadow of a Doubt all costing much less to provide. But its biggest-budget scene is the one which’s most impressed Christopher Nolan, along with complete generations of filmmakers earlier than him.

    This Hitchcock Film Impressed Scenes In Christopher Nolan’s Dunkirk

    Nolan Took His Visible Cues From International Correspondent For Dunkirk’s Spitfire Scenes

    Extra particularly, the climactic scene through which a Quick S.30 Empire clipper airplane crashes into the ocean in International Correspondent served as a key inspiration for a number of scenes in Christopher Nolan’s historical film Dunkirk. Nolan himself alluded to this scene in his introduction, prefacing the Hitchcock film for the collection of BFI screenings he curated. Nolan made the connection, saying:

    “No examination of cinematic suspense and visible storytelling can be full with out Hitchcock, and his technical virtuosity in International Correspondent’s portrayal of the downing of a airplane at sea supplied inspiration for a lot of what we tried in Dunkirk.”

    We are able to see the direct visible inspiration of this International Correspondent scene in two pivotal moments of Dunkirk’s airforce narrative. The primary is throughout a dogfight between British Spitfire fighter planes and their German counterparts, when numerous plane are depicted descending in the direction of the water under from the perspective of their pilots.

    Associated


    Christopher Nolan’s Dunkirk Isn’t As Good As The 73-Year-Old Thriller That Inspired It

    Christopher Nolan’s Dunkirk is a really strong movie, however the traditional French movie that helped encourage his strategy to the story is even higher.

    The second comes when the Spitfire fighter pilot Collins, performed by Jack Lowden, really crash-lands within the sea. His crash is depicted in actual time, with the first concentrate on the floor of the water coming nearer and nearer as his airplane goes down, interspersed with fast cuts to pictures of his face and from the wing of his Spitfire.

    This scene is a carbon copy of how Hitchcock introduced the downing of the airplane in International Correspondent, though again in 1940, he was utilizing way more primitive expertise than Nolan had entry to for Dunkirk. In his look on The Dick Cavett Show in 1972, Hitchcock revealed the key of how he’d shot this scene.

    This scene might have been expensive to shoot, nevertheless it nonetheless holds up as we speak as an extremely lifelike portrayal of a airplane crash at sea.

    He had knowledgeable pilot nosedive in the direction of the Pacific Ocean off the coast of California in his airplane with a digital camera hooked up to its entrance. Hitchcock then had the footage captured by the pilot projected onto the again of panels used for the set of International Correspondent’s airplane cockpit, which had been made out of rice paper.

    The second the ocean within the footage appeared shut sufficient, two large tanks hidden behind the rice-paper panels emptied tons of of gallons of water into the cockpit. This scene might have been expensive to shoot, however it nonetheless holds up as we speak as an extremely lifelike portrayal of a airplane crash at sea from the pilot’s perspective.

    Hitchcock’s genius isn’t rendered extra clearly than within the story behind this second in International Correspondent. It’s no marvel his fellow filmmaker Christopher Nolan is so taken with the film.

    Sources: IndieWire; The Film Stage


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    Foreign Correspondent


    Launch Date

    August 16, 1940

    Runtime

    120 minutes


    • Cast Placeholder Image

    • Cast Placeholder Image

    • Cast Placeholder Image

      Herbert Marshall

      Stephen Fisher

    • Cast Placeholder Image

      George Sanders

      Scott ffolliott



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