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    Exclusive: Naveen Kasturia on Salakaar, Aspirants, and Why Persistence Defines His Journey

    Team_The Industry Highlighter MagazineBy Team_The Industry Highlighter MagazineSeptember 2, 2025No Comments5 Mins Read
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    From Sulemani Keeda to Salakaar, Naveen Kasturia has carved a distinct segment with layered, relatable characters. The actor, who first struck a chord with viewers in TVF Pitchers, has since explored the whole lot from nuanced dramas to thrillers. With Salakaar, he stepped into the world of espionage, including motion and depth to his character. In an unique chat with Filmfare, Naveen opens up about his preparation, learnings from co-stars, his long-standing bond with TVF, and why he believes persistence, greater than expertise, has formed his profession. Excerpts…

    You began as an assistant director. Has that influenced the actor you’re immediately?
    Positively, although in tangible methods. I got here to Mumbai eager to be a part of movies, and path appeared like the best way in. As an AD, I bought to look at administrators and actors intently. I labored with Dibakar Banerjee on Shanghai and with Danis Tanović on Tigers. Being on set taught me self-discipline, collaboration, and filmmaking from the within. Subconsciously, all of that formed the actor I’ve change into.

    You talked about Dibakar Banerjee. What did you’re taking away from working with him?
    Dibakar’s movies, together with these by Anurag Kashyap, Imtiaz Ali, and Zoya Akhtar, made me imagine that closer-to-life tales had a spot in Indian cinema. Working with him strengthened that perception. Apparently, my first advert as an actor was with him, and I even had a small performing half in Shanghai. So, in some ways, my performing debut additionally occurred underneath his path.

    What was it like getting into the extreme world of a spy thriller in Salakaar?
    Once you get a script, the method is all the time the identical. You be taught your traces, perceive the director’s imaginative and prescient, after which give up to it. Performing is rarely in isolation, it’s collaborative. For Salakaar, Faruk Kabir had the character clearly etched in his head. I adopted his directions, did motion rehearsals, labored on my posture, practiced bike using, and tried to embody the physicality of a spy. It was difficult but in addition very thrilling to try one thing I’d by no means executed earlier than.

    Did you draw inspiration from real-life spies or display screen references?
    Probably not. I caught to the script and my director’s temporary. Faruk had already executed the analysis. My job was to create the persona of a spy, his posture, his ease with weapons, his presence, with out imitating anybody.

    How did you put together for the motion sequences?
    We did a couple of days of rehearsals, particularly for the gunfight and bike sequences. I even improvised a fall throughout the gun scene within the first episode, and Faruk saved it. Driving a motorcycle in Ladakh was a special problem altogether in comparison with rehearsing in Mumbai. It was all about embodying the bodily facet of the character.

    Naveen

    You shared display screen house with Mukesh Rishi. What was that like?
    It was surreal. I’ve grown up watching him in movies like Sarfarosh and Ghatak. He was all the time intimidating on display screen, however in actual life he’s heat and affectionate. Taking pictures with him was a pleasure, I saved asking him about his previous roles. What stood out was his sincerity. Even after many years within the trade, he approaches each scene as if he’s doing it for the primary time. That humility and authenticity are inspiring.

    You’ve additionally shared display screen house with Rajkummar Rao. Any learnings from that collaboration?
    Sure, throughout Bose: Useless/Alive. Raj was already a longtime identify, and what struck me was his sincerity. Regardless of his stature, he approaches each function with honesty and humility. He’s obsessed with cinema and by no means takes his work flippantly. Watching that strengthened for me the significance of giving 100% each single time.

    Pitchers stays a milestone in your profession. Trying again, what did it change for you?
    Pitchers was the actual starting of my performing profession. I had executed Sulemani Keeda earlier than that, which led me to TVF, however Pitchers made me a family identify. It linked deeply with younger audiences and gave me the boldness to proceed as an actor. Later, Aspirants gave one other massive push to my profession. Even immediately, when folks meet me, they typically affiliate me with TVF, it’s a notion that has stayed, and I’m grateful for it.

    Your function in Aspirants remains to be extensively mentioned. What do you assume resonated most?
    The writing. Abhilash is likely one of the most nuanced characters I’ve performed. Folks typically label him egocentric, however I see him as the alternative. He’s deeply layered and really actual, which is why he linked with so many viewers.

    When you may give one piece of recommendation to your youthful self, what would it not be?
    Be extra disciplined, sleep on time, and don’t overthink. Simply maintain at it. I don’t take into account myself extraordinarily gifted or hardworking, however I’ve been persistent. When you follow one thing lengthy sufficient, issues begin to take form.

    Additionally Learn: Rajkummar Rao’s latest Filmfare photo shoot proves he’s the king of eccentricity

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