When requested to call her favourite Game of Thrones scene, Sophie Turner didn’t select a dramatic battle or a pivotal coronation. As a substitute, she recalled a playful, sibling second — a scene at Game of Thrones’ Winterfell feast. The sisterly second reveals a passion for a time when Sansa was nonetheless allowed to be a baby — useless, naive, and stuffed with girlish fantasy. However that innocence, like a lot of Sansa’s character within the present, would quickly be sacrificed.
Whereas the Game of Thrones books develop Sansa right into a strategic determine who learns to outlive, the present usually stripped her of company, folding her arc into brutal storylines borrowed from different characters. Her journey turned synonymous with struggling, significantly in Game of Thrones’ big season 5 Sansa mistakes. The therapy of the victimized little dove had a troubling sample of sidelining her perspective and progress, whereas within the books, she has company and a posh interior world.
Sophie Turner’s Favourite Recreation Of Thrones Episode Sees Sansa & Arya Squabbling
Arya Flings Pigeon Pie At Sansa In The Scene
A video clip on Entertainment Weekly exhibits Sophie Turner and Maisie Williams discussing Turner’s favourite Recreation of Thrones scene. Turner tells Williams that her favourite scene is one the Stark sisters share — the feast at Winterfell. Within the scene, the Stark household is doing their greatest to impress their royal guests from King’s Touchdown — Robert, Cersei, and Joffrey. Arya embarrasses Sansa by flicking meals at her face. Turner elaborated:
“I keep in mind overacting the hell out of that scene – ‘ARYA!’ – and everybody laughing at me.”
The feast at Winterfell scene was reportedly a part of the unique unaired Game of Thrones pilot, which was shot a yr earlier than the reshoot of episode 1. The meals flinging was one in all a number of clips that have been repurposed for the finalized season opening. It’s touching that that is Sophie Turner’s favourite scene — it’s a typical sister second between them, and you may see the actresses’ buddy chemistry forming.
Sansa’s Recreation Of Thrones Character Arc Sees Her Go From A Spoiled Little one To Queen
Sansa Represents A Completely different Variety Of Feminine Energy
In season 1, viewers see a naive and starry-eyed Sansa, the “little dove” Cersei addresses. She is contrasted with Arya as extra stereotypically girlish and spoiled, with one in all her first strains within the collection being, “I’d be queen sometime, please make father say sure, please, please, that is all I ever wished!” She appears to imagine within the fairytale model of being a queen. The favourite scene Turner describes is extremely revealing on this regard, displaying Cersei’s personal marital resentment poorly hid by a smile as she assesses Sansa as a match for her son.
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All through the present, Sansa experiences limitless abuse, making her berate her personal childhood royal aspirations as these of a “silly little lady with silly goals who by no means learns.” Nonetheless, by the later seasons, she just isn’t the identical particular person due to her horrible experiences. Even Arya admits that she by no means may have survived what Sansa survived. She considers herself robust for her trauma, as she reveals by telling the Hound, “With out Littlefinger and Ramsay and all the remaining, I’d have stayed just a little chook all my life.”
Sansa Deserved An Arc Not So Rooted In Trauma
Sansa Makes use of Her Harmless Demeanor To Her Benefit In The Books
Though Sansa’s revelation that her trauma has finally freed her from a naive and caged existence is extremely transferring, it additionally has its issues. The important thing situation with Sansa’s character arc is that it’s blended with Jeyne Poole, undermining numerous her characterization in George R. R. Martin’s books. As a substitute of a dramatic visible transformation as within the present, books Sansa learns comparatively early to make use of her perceived innocence and naivete to her benefit.
In distinction, present Sansa is frequently put in conditions the place she is powerless. Particularly, her rape in season 5, episode 6, “Unbowed, Unbent, Unbroken” diminished her rising company to a story system for another person’s improvement. After seasons of evolving right into a extra self-possessed character, her story is violently hijacked and reframed by means of Theon’s perspective, sidelining her trauma in favour of his potential redemption.
The scene reveals nothing new about Ramsay, gives no significant development for Sansa herself, and feels exploitative, particularly on condition that her struggling is used primarily to encourage others. It displays a broader failure within the present’s dealing with of sexual violence: deploying it to not discover character depth or energy dynamics, however as a stunning catalyst that strips a central feminine character of her momentum and complexity.
Her ruthless and calculating angle comes throughout as an overcompensation…
Whereas it’s satisfying to see Sansa turn out to be Queen within the North in season 8, regardless of Game of Thrones’ controversial Bran twist, her ruthless and calculating angle comes throughout as an overcompensation for her dramatically disempowered characterization earlier within the present. As a substitute of studying from her experiences as she appears to within the books, she comes throughout as extra power-hungry and backstabbing, primarily motivated by her trauma. It is sensible to make her extra savvy and pragmatic, however the Recreation of Thrones showrunners went overboard, and undermined her complexity within the course of.
Supply: Entertainment Weekly

- Launch Date
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2011 – 2019-00-00
- Showrunner
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David Benioff, D.B. Weiss
- Administrators
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David Nutter, Alan Taylor, D.B. Weiss, David Benioff