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    SWAG Is Justin Bieber’s Identity Crisis: Review

    Team_The Industry Highlighter MagazineBy Team_The Industry Highlighter MagazineJuly 12, 2025No Comments4 Mins Read
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    Justin Bieber is coping with quite a bit. As soon as a teen heartthrob, the famous person singer has been contending along with his shifting public picture since he grew out of his adolescent mischievousness and into an grownup making an attempt to navigate his personal difficult life. The previous a number of months alone have seen spectators dissect Bieber’s way of life, from his relationship along with his spouse Hailey to his bodily and psychological well being to his tendency to immerse himself in Black tradition. With SWAG, Bieber addresses all the above, in each direct and oblique methods.

    At the beginning, Justin Bieber wants to be down. He’s expressed as a lot all through his profession, most clearly on the compilation R&B album Journals launched in 2013. Whereas that challenge was influenced by the slick, sensual R&B of the ‘90s, together with the works of R. Kelly, Jon B., and Dru Hill, SWAG is constructed on the pop-infused R&B of the ‘80s. On tracks just like the album opener “All I Can Take” and the “Human Nature”-inspired “First Place,” Bieber faucets into his interior Michael Jackson. The sonic parts themselves mixed with Bieber’s longing lyrics construct into acquainted moments of weak expression. “These signs of my sensitivity/ Feels private when nobody’s listening,” he sings on “All I Can Take.”

    Musically and vocally aligning himself with the King of Pop is a selection, and it’s a deliberate one. The 2 business behemoths began their careers younger, turned larger than sliced bread, went by means of the wringer of public opinion, and finally pleaded for understanding from the identical viewers that when lifted them up. SWAG appears like Bieber is each exasperated with the commentary and prepared to make mild of his state of affairs.

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    “It’s not clocking to you that I’m standing on enterprise, is it?” his tinny voice queries in a clip featured on the album, by now the AAVE shot heard ‘around the world. Through a sequence of out-of-place skits with social media comic Druski, Bieber reveals he’s deeply conscious of outsiders wanting in. “That’s been a tricky factor for me not too long ago is feeling like, you realize, I’ve needed to undergo a whole lot of my struggles as a human, as all of us do, actually publicly,” he reveals on “Remedy Session.” “And so persons are all the time asking if I’m okay. And that begins to actually weigh on me.”

    By means of these vignettes, Justin Bieber makes it clear that he’s not a monkey in a zoo. He’s extraordinarily cognizant of the conversations, the jokes, and the memes, and he’s selecting to deal with them head on. “Your pores and skin white, however your soul Black, Justin. I promise you, man,” Druski shares on “Soulful.” To which Justin politely responds, “Thanks.” It’s an offhand alternate that feels awkward, if not barely offensive, within the sense that white artists are sometimes christened as deserving representatives of the Black expertise due to how they current themselves artistically or culturally. Whereas this second borders on satirical, it shines a light-weight on Justin’s choice to search out refuge within the Black group — which just about all the time accepts him with open arms.

    Justin Bieber isn’t the primary, nor will he be the final, white artist invited to the figurative cook-out. Bieber leans into his relationships with hip-hop artists on the album, balancing the stripped-down sound that in any other case dominates SWAG. His current bestie, Sexyy Crimson, seems on the New Version-influenced “Candy Spot.” The St. Louis rapper delivers her anticipated taste of lyrics (“Put it on me, child, oh yeah, it’s been overdue/ He gon’ do no matter I say ‘trigger Sexyy bought that hoochie-coo”), and Bieber does his finest to vocally dance round her. The result is an uneven music that relies upon virtually solely on the truth that Justin Bieber and Sexyy Crimson are newfound BFFs — look, everybody! — they usually merely needed to make one thing collectively. In a very annoying second, Crimson’s verse ends with a lazy repeated bar, and Bieber has to make a concerted effort to re-energize the music. Listening to their relationship play out on wax is extra humorous than it’s purported to be.



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