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I like Batman: The Animated Series, however there are some episodes that I’ll skip over at any time when I rewatch it. DC’s Batman: The Animated Sequence is likely one of the best animated reveals ever made – darkish, fashionable, and emotionally wealthy in methods few superhero sequence have matched. But, as with all long-running sequence, not each episode hits the identical excessive bar.
Even after a long time, Batman: TAS is a superhero series masterpiece. Nevertheless, some episodes are tonally off, oddly paced, or simply don’t seize the sophistication that made the present legendary. These episodes aren’t dangerous, precisely (nonetheless boasting the darkish deco design and Kevin Conroy’s flawless efficiency as Batman), however in comparison with classics like “Coronary heart of Ice” or “Two-Face,” they don’t maintain up.
                        Batman: TAS Season 1, Episode 28 “Night time Of The Ninja”
               
Whereas “Night time of the Ninja” tries to dig into Bruce Wayne’s previous and martial arts coaching, it finally ends up feeling surprisingly flat. The episode introduces Kyodai Ken, an outdated rival from Bruce’s time in Japan. Sadly, the story’s revenge plot is generic and lacks the emotional nuance that defines Batman: TAS’s finest villains.
There’s undoubtedly potential in exploring Bruce’s pre-Batman years. But the execution looks like a filler episode from a unique sequence. The animation additionally appears stiffer than common, particularly within the combat sequences, which ought to have been the episode’s spotlight.
It’s not horrible. It’s, nevertheless, extraordinarily forgettable. The ninja angle feels misplaced in Gotham’s gothic environment, making “Night time of the Ninja” one of many few Batman: TAS episodes that feels tonally disconnected from the present’s core identification.
                        Batman: TAS Season 1, Episode 55 “See No Evil”
               
Batman: TAS episode 55, “See No Evil,” begins sturdy, with the eerie idea of an invisible man stalking his daughter. Nevertheless, it rapidly devolves into one thing far much less gripping. The episode tries to stability science fiction and household tragedy, but by no means absolutely commits to both.
Lloyd Ventrix’s invisibility go well with is intriguing in concept. But the story that follows feels padded one-dimensional. Regardless of some cool visible results, the pacing drags, and Batman’s investigation doesn’t have the intelligent detective aptitude seen in higher episodes.
It’s an odd mixture of sentimental melodrama and clunky motion that doesn’t fairly come collectively. Whereas the ending goals for emotional resonance, it feels rushed and unearned. For a present that usually excels at tragic villains, “See No Evil” simply can’t make its central character compelling sufficient to face out.
                        Batman: TAS Season 2, Episode 13 “Showdown”
               
“Showdown” is essentially dangerous. It’s simply barely a Batman: TAS episode. Set principally within the Previous West and specializing in Ra’s al Ghul recounting a story about Jonah Hex, it sidelines Gotham’s dynamic duo earlier than the primary advert break.
The end result looks like a backdoor pilot for a Jonah Hex spin-off fairly than a cohesive a part of the Batman: TAS universe. Whereas the animation and rating are top-notch, the shortage of Batman’s presence makes it arduous to remain invested. The story itself is bold however overlong and oddly disconnected from the present’s common tone.
As a one-time curiosity, “Showdown is definitely value watching. It’s significantly notable for its Wild West-themed interpretation of Jonah Hex. Thereafter, although, it simply looks like a pointless diversion to bestow a villain with an inconsequential (to not point out contradictory) backstory.
                        Batman: TAS Season 1, Episode 16 “Cat Scratch Fever”
               
“Cat Scratch Fever” options two issues that Batman: TAS often delivers completely: Selina Kyle and company corruption. One way or the other, it fumbles each. The plot revolves round Catwoman on the lookout for her lacking cat, uncovering a lethal virus being unfold by means of contaminated cats.
Regardless of this promising and distinctly feline outset, Catwoman herself has little display screen time in any respect. Selina is taken out of motion midway by means of and it’s Batman who confronts the villain Rolland Daggett – and an enormous evil canine. It’s significantly irritating contemplating it’s the direct follow-up to her debut within the flawless Batman: TAS episode, “The Cat and the Claw.”
After all, Catwoman’s interactions with Batman are characteristically electrical. There are simply just too few of those moments to hold the stilted plot and compensate for the notoriously poor animation high quality. It’s value watching as soon as to know Batman and Catwoman’s improvement, however upon rewatching Batman: TAS, it breaks up the momentum throughout a excessive level in cinematic superhero series.
                        Batman: TAS Season 2, Episode 5 “The Horrible Trio”
               
“The Horrible Trio” might’ve been a biting satire of Gotham’s elite, depicting three wealthy thrill-seekers turning to crime for enjoyable. Sadly, Batman: TAS by no means digs beneath that floor idea. The Trio (Fox, Shark, and Vulture) comes off as cartoonish fairly than menacing, and their motivations extra spoiled than sinister.
“The Horrible Trio” tries to supply a morality story in regards to the corrupting affect of cash and greed. The Trio is clearly a darkish (albeit very boring) reflection of Batman himself. They’re wealthy playboys utilizing devices and instruments for law-breaking japes whereas hiding behind an animal persona.
This theme ought to have been very compelling, as seen within the iconic superhero movie, Batman Returns. Sadly, the Trio are simply too boring to drag this off. Their half-baked picture and skill are clearly intentional to distinction with the polished Caped Crusader, however after all of the dynamic villains launched in Batman: TAS, “The Horrible Trio” looks like a pointless entry.
                        Batman: TAS Season 1, Episode 42 “Tyger, Tyger”
               
“Tyger, Tyger” is likely one of the strangest episodes of Batman: TAS, and not in a great way. It dives headfirst into pulp sci-fi territory with a shameless Island of Physician Moreau rip-off. It depicts Catwoman being and reworked right into a humanoid cat-creature by a mad scientist named Dr. Dorian.
The result’s equal elements bizarre and unintentionally humorous. “Tyger, Tyger” feels prefer it has wandered in from a very completely different cartoon. Whereas Batman: TAS typically tackled darkish science themes, this one’s execution leans too far into melodrama and absurdity.
Whereas it’s memorable for sheer oddness, it’s additionally tonally jarring and arduous to take severely. It additionally contributes nothing to the broader sequence with no actual penalties or follow-ups. As such, it’s a straightforward episode to ignore when revisiting Batman: TAS as an elective diversion.
                        Batman: TAS Season 1, Episode 43 “Moon Of The Wolf”
               
“Moon of the Wolf” takes Batman: TAS noir tone and replaces it with a tacky monster film. The episode incorporates a werewolf model of athlete Anthony Romulus, whose transformation is brought on by a shady serum supplied by Professor Milo. The thought of Batman dealing with a supernatural menace ought to have been good, however the execution feels lazy.
The werewolf design is clunky, and the animation lacks the eerie environment that defines the sequence. Batman’s detective work is minimal, and the script feels padded with pointless exposition. It’s one of many few Batman: TAS episodes that leans into cliché fairly than character depth.
What’s irritating is that that is exactly the form of narrative that ought to have flourished in Batman: TAS and might have appeared gorgeous within the present’s celebrated “Darkish Deco” aesthetic. It might have been the wolf equal of “On Leather-based Wings,” however it as a substitute looks like a poor Teen Wolf rip-off.
                        Batman: TAS Season 1, Episode 54 “I’ve Received Batman In My Basement”
               
“I’ve Received Batman In My Basement” is commonly cited because the low level of Batman: The Animated Sequence, and it’s straightforward to see why. The episode takes certainly one of Gotham’s most iconic villains, The Penguin, and turns him right into a punchline. As an alternative of a crafty prison mastermind, he’s outsmarted by two extraordinary children.
The episode depicts two younger youngsters rescuing Batman after he’s injured. They rapidly cover him of their basement till he recovers. When the Penguin pursues the Darkish Knight, the youngsters arrange a string of Residence Alone-fashion defenses and traps to thwart the villain.
It’s a premise that feels extra suited to a a lot youthful viewers than the mature, noir-inspired world Batman: TAS often serves. The tone is overly infantile, the plot defies logic, and even Kevin Conroy’s incredible superhero performance can’t put it aside. For a sequence famend for psychological depth and class, this episode’s goofy execution stands proud like a sore wing, and never in a great way.
                        Batman: TAS Season 1, Episode 6 “The Underdwellers”
               
“The Underdwellers” is an early Batman: TAS episode that feels just like the present was nonetheless determining its tone. The story considerations Batman discovering a society of kidnapped youngsters residing underground. This might have been an attention-grabbing premise, however it’s awkward in execution.
The villain, the Sewer King, is cartoonishly over-the-top, and his exaggerated voice and conduct really feel out of sync with the present’s grounded world. The episode’s makes an attempt at social commentary are admirable. Nevertheless, the result’s melodramatic fairly than significant.
Batman’s interactions with the road children are extra preachy than poignant, and the motion scenes drag. Whereas it’s visually moody, the writing by no means matches that environment. It’s a curiously random addition when there are such a lot of iconic villains and narratives nonetheless ready to be launched.
                        Batman: TAS Season 1, Episode 22 “Prophecy Of Doom”
               
Few Batman: TAS episodes really feel as hole as “Prophecy of Doom.” A con artist claiming to foretell the long run involves Gotham Metropolis to swindle the native elite. This might have supplied a pointy critique of greed and gullibility.
As an alternative, “Prophecy of Doom” performs out like a sluggish procedural with no actual stakes. Batman’s detective work is minimal, and the villain, Nostromos, is forgettable even by one-off requirements. The pacing is glacial, the dialogue picket, and the motion sequences uninspired.
The grand closing battle is so poorly animated that it loses all dynamism. It looks like such a misplaced alternative for what might have been a blinding animated sequence. Whereas Batman: The Animated Sequence often excels at psychological and ethical complexity, this episode provides none of that and isn’t value revisiting.
                        
                        
        
                                                
                                                                
- Launch Date
 - 
                                            
1992 – 1995-00-00
 - Community
 - 
                                            
FOX, Fox Children
 - Showrunner
 - 
                                            
Bruce Timm
 
- 
                                                                                
 - 
                                                                                
Efrem Zimbalist Jr.
Alfred Pennyworth (voice)
 
            
             
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